disappearance are both a point of reference and a source of
inspiration. Accordingly to Kantor's 'ever-deepening conviction that
it is possible to express life in art only through the absence of
life', lifeless objects are called in the composition of the scene. A
labyrinth is formed by the moving bodies in contrast with the
dismantled mannequins' lifeless body parts.
with Cliodhna Hoey, Eva-Maria Küpfer and Simone Truong
assistance by João Fernando Cabral
sound by Jord Homan
slides by Theo Solnik
2004 - NL
next performances: 19th & 20th December, Tanz Tank 21 Tanzhaus-nrw Düsseldorf
inspiration. Accordingly to Kantor's 'ever-deepening conviction that
it is possible to express life in art only through the absence of
life', lifeless objects are called in the composition of the scene. A
labyrinth is formed by the moving bodies in contrast with the
dismantled mannequins' lifeless body parts.
with Cliodhna Hoey, Eva-Maria Küpfer and Simone Truong
assistance by João Fernando Cabral
sound by Jord Homan
slides by Theo Solnik
2004 - NL
next performances: 19th & 20th December, Tanz Tank 21 Tanzhaus-nrw Düsseldorf
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