hanging around?

by Theo Solnik

Trondheim, Norway

point of departure for a new piece

www.hangingaround.de

on paper

by Jeanet Willems

crossing borders

by Noema Dance Works
Alexandra Waierstall

Dance by Philip Bergmann,
Gabriela Tarcha, Mary Randou,
Christos Papadopoulos,
Savvas Baltzis, Alexandra Waierstall

Music by Martin Siewert

Video by Sandeep Mehta

Erstarrte Bilder münden in ein lebendiges Spiel bewegter Körper. In ihrer jüngsten Arbeit setzt sich Alexandra Waierstall intensiv mit Grenzerfahrungen auseinander. In einer dichten Verschränkung von sinnlicher Bewegungssprache, Musikkomposition und Video richtet die in Düsseldorf lebende Choreografin gemeinsam mit fünf Tänzern den Blick auf künstlich erzwungene Grenzen und den traumatischen Schock von Teilung. Das Stück erforscht aktuelle politische Konflikte, ihre tägliche Wahrnehmung durch die Medien und die persönlichen Auswirkungen für den Einzelnen.

- open rehearsal: 21st March -

15th, 17th April & 12th May, Tanzhaus-nrw, Düsseldorf

double doubled ...

by Carina Hesper

platform 21

opening exhibition
by Toyoko Shimada
www.foodology.eu
14th February, 19:00
Prinses Irenestraat 19
Amsterdam

http://www.platform21.com/on_show/97.html

001

the video 001 by Andre Mello, Ederson Rodrigues Xavier, Jonas Bareiter and Gabriela Tarcha is to be seen in a computer terminal at Crossbreeds platform from 30.01.07 till 02.02.07 by Im-flieger at WUK, Wien

Paris metro - La Défense

pictures by Milena Kipfmüller

rehearsal X

rund around

rund um die uhr next performance:
saturday 6th January at 14:00
Theater de Engelenbak, Nes 71, Amsterdam
for the jury of Het Vreemdelingenlegioen
open to the public
free entrance

Kantor

from a talk with Maurits Cornelis,

who spent a few months observing

Kantor work in Poland in the 80's

it is not the appearance but what doesn't appear that one sees

using the emballage with the awareness that is not what it is about - and then it becomes more and more what it is about
not showing the emballage, but showing that the real thing is not there
how to expose behaviour so that what comes through is the lack of a real existence

the more one does nothing the emballage or behaviour becomes dramatic or comic

deny something and you start to address it

lack of something: drama

related to the piece X - below, maker section